Welcome to ConTribute, our bimonthly blog that will take you beyond the surface of our boutique

February 1, 2021 

Behind The Scenes: How do we choose our brands and designers?

Words by Joelle Firzli and Allyna Wilson

From the beginning, TRIBUTE has made sustainability and conscious-buying the core of our mission and business model. We created a space that embodies our values of diversity and inclusivity. We invite you to ask questions, to learn about emerging brands, about the garment workers, about recycling and upcycling, and exchange knowledge about different textiles. As a minority owned company, we believe that it’s our responsibility to encourage you to learn about and adopt sustainable practices. One major way we do this is by curating only responsible and ethical fashion brands, so whenever you shop at TRIBUTE, you never need to ask “is this ethical?”.  Working with selected brands and designers keeps us true to our mission and values while exciting you with beautiful designs that not only fulfills their closets, but also fulfills their own values. 

Here at TRIBUTE, we like to break the rules. We don’t follow any particular fashion calendar, and we work exclusively with brands that believe fashion can be a driver of positive change and a catalyst for cultural transformation. Upholding an honest approach to retail is at the core of what we do. It goes without saying that each brand we carry is part of our extended TRIBUTE family. We love them for who they are, what they do and what they represent. 

Keep reading for a peek into our process of choosing brands and designers!



How We Choose Our Brands

The brands we showcase at TRIBUTE have shown that it’s possible to sell cool pieces with lower environmental impact than their fast-fashion counterparts. They’ve demonstrated innovative products, manufactured with attention to details, craftsmanship and beauty. 

We start our selection process by doing research on the brand, and reviewing our very elaborate excel sheet with our criteria. This assures us that the brands style and mission are aligned with that of TRIBUTE’s. Then, we contact the brand, and even visit some of them in their studios and workshops (pre-COVID of course). This enables us to discover the pieces first-hand while also meeting the design team and garment workers. We like to develop a close relationship with all our designers, which we call “collaborators''. We feel lucky, as most of them also operate outside of the traditional retail market system. No seasons, no trends, no do’s and don’ts, no in and out.

  Questions for the Brands

It’s very important for us to allow transparency and accountability between the brands we choose, our company, and you, our community. To uphold this trust, we like to ask the brands a series of questions. The answers to these questions are then published on our website and shared with you all. We plan to continue to be thorough and transparent as we grow. In the future, it is our hope to find a better traceability system to be able to deliver more value, to our community, our collaborators and to our business. 

Here are examples of the questions we ask: 

 How did you start your company?
How many employees work in your company?
What kind of material do you use?
Who is your supplier and where are they  located?
Where do you manufacture your products?
What is the name of the factory?
Can you introduce the artisans or organization you partner with?
How are you socially and environmentally responsible in your practice?
Are you certified? If yes, please list your certifications. 
TRIBUTE is also mindful of the amount of products we keep in stock. To avoid excess, our buying is very strategic, we pay attention to the demand in our community. And whenever we can, and if possible, we send back the unsold products to the designers. 

Shopping Vintage and Pre-loved
Not only does TRIBUTE feature new brands and designs, but we also offer a wide selection of pre-loved and vintage clothing, mainly from the 1950s until the 1990s
Did you know that there is a triple layer of sustainability in purchasing a vintage piece? First, fewer new clothes are sold and hence produced, then it keeps clothing out of the landfill and finally it keeps clothing from being shipped around the world to secondhand markets, that do not need it.
Vintage is also history, art and the stories of those who have come before us. Owning and wearing vintage and pre-loved clothing is a way of keeping those people and those histories alive. After all, fashion is social history!
Our vintage collection is sourced throughout the country and during our travels, while our pre-loved collection comes mostly from our community. We named that particular aspect of our business “The Closet”. We operate it as a consignment and give back 50% of the sale to the Closet owner.

You want to learn more, click on Our Designers on the menu. We will also be highlighting them on our instagram page. To discover the collection, check the shop!

We want to reaffirm our dedication to bringing you the best independent and responsible, local and international fashion brands to our customers while also advocating for Mother Earth. So stay tuned and follow us @thisistribute.


The beauty of being a part of this growing section of the fashion industry is that there is still so much more to discover and create. 

January 21, 2021 

A Chat with Farrah Skeiky on Punk Culture in DC
Words by Allyna Wilson 

Hard Art, DC 1979 by MacKaye, Perkins, Rollins, Photo by Lucian Perkins 


A lot of publications will tell you that Washington DC is all politics with little room for art. Beyond the glossy portrait of politicians and businesspeople, lies a plethora of diverse culture, fashion, art and music. During the days of the “Chocolate city” (1960-1990) music, art and fashion thrived in D.C. Part of D.C’s culture includes a punk scene which has existed in the area since the late 1970s. Today, that culture has been placed underground beneath the commercial art scene that exists today. Neighborhoods like Adams Morgan, the home of TRIBUTE, upheld DC’s night-life, especially during the 80’s and 90’s. Adams Morgan was a melting pot of culture, food and music. It eventually became a hub for music venues, international restaurants and bars including Madam’s Organ - a popular bar that helped put punk on DC’s map. Other locations including D.C. Space, the 9:30 Club and Smash! Records was where punk and hardcore artists could share their music with the local community. Punk's existence in DC has been preserved and maintained in the form of  pictures, books, zines, interviews, posters, articles, and blogs.  

To get a deeper dive into DC’s Punk scene, I had the luxury of chatting with Farrah Skeiky. Skeiky is a DC-based photographer, creative director, and writer. At the beginning of 2020, she published a photo book called Present Tense: DC Punk and DIY, Right Now.  

Photo by Farrah Skeiky of Present Tense: DC Punk and DIY, Right Now


When Farrah moved to the DC area at 15 years old in the mid 2000’s, the thing that brought her the most excitement was going to live shows nearby. She explained that outdoor concerts in Fort Reno Park and St. Stephen and the Incarnation Episcopal Church in Columbia Heights offered a space for punk shows and benefit shows to happen in DC. “A lot of these spaces are all ages, they're drug and alcohol free, and they're really inclusive, so it's easier for someone under eighteen to, like, be part of it, and that was really exciting to me.” she explains. The Fort Reno concert series, which has incorporated punk music since the late 60s, was a more low-key space in the DC area for people to enjoy punk and indie music in an alcohol/drug-free zone. Artists could perform while their audience would listen to the music in an outdoor and accessible venue with their families. She goes on to say that punk is about youth culture which makes it almost necessary for punk shows to be accessible to youth. “Everybody's been a teenager where you feel misunderstood, and you feel like you don’t fit in, like you’re the odd one out.” says Skeiky. She explains that the draw of punk on youth culture is that it created a space for people to feel accepted. They can appreciate things that are not as mainstream or prescribed. Punk culture inspires young people to take hold of opportunities without waiting for someone to hand it to them. 

Photo by Farrah Skeiky from Present Tense: DC Punk and DIY, Right Now

A central component of punk is a DIY ethic. Skeiky points out that while DIY and punk are different, there is an intersection between the two. “People in the punk scene communicate by making zines and, like, before the internet that’s how you'd find out who was making what, they weren't waiting for a big magazine to publish a story about their friends band, or their band, they were like, ‘well we're gonna publish it and the mailing address is my mom's garage’ that's really what it was.” She pointed out that the pictures she captured for her photo book (some of which are featured in this blog post), are taken from unconventional venues like living rooms, bar basements, even one in a grocery store. 

Photo by Farrah Skeiky from Present Tense: DC Punk and DIY, Right Now

Punk culture is not one particular thing, it is made up of a variety of ideologies, movements and music styles. Riot grrrl, which emerged in the early 90s, was an underground feminist movement that brought attention to sexism in punk culture. While its intentions were in the right place, its lack of inclusivity drew necessary criticism. “It was bands like Bikini Kill that were kind of at the center of that, you know, their music can still be special, it can still be powerful, but a lot of it was not very inclusive, it needed another wave of intersectional feminism and womanism to follow it.” explains Skeiky. She says that the movement hooked a lot of people onto punk that wouldn’t have otherwise seen themselves as part of it, but like many other communities it has room to improve. In those settings, many people felt like they had to choose to represent either their gender or their race. “In a Riot grrrl space you might’ve been seen as, like, a woman, but not the other things that make you you, including your race, and that’s a super frustrating thing a lot of people experience which turned a lot of people off of punk.” 

Photo by Farrah Skeiky from Present Tense: DC Punk and DIY, Right Now

The people who have stuck around despite the lack of inclusivity are the ones who are working to improve punk culture. It is their home and they are creating space within the punk community for themselves. Change happens when the status quo isn't acceptable. Skeiky explained that inclusivity has to happen on all levels, from the tech people, to the person who booked the show, to the band on stage. “The thing that keeps people going is seeing people like themselves involved in every part of it.” Punk emerged from people who didn’t like how things were, and when people realized they didn’t like what they saw within punk culture, subcultures came to be. 

DC is home to one of punk's subcultures, straight edge. Straight edge specifically abstains from alcohol and drug use. Minor Threat and Fugazi were two bands that formed in Washington DC and followed the straight edge style. Skeiky explains that the punk and DIY community in DC raised about a quarter of a million dollars through the 80s and 90s to give to various causes and nonprofits. The DC area offers close proximity to the political scene which can be a good place to make effective noise, but Skeiky points out that punk isn't always about global or national politics, it is also very much about personal politics. 

Another component to punk subcultures is expression through fashion. “Punk as a fashion trend is the least punk thing that can happen,” says Skeiky. “Dressing that way because you like it, you're comfortable in it, and as a way of expressing yourself is a whole other story.” She continues to explain that punk fashion is not monolithic. With each subgenre and era of punk are different fashion styles. “I like wearing all black, maybe that’s the moody artist in me” she says. Whereas hardcore punk bands like Youth Crew tend to dress more like high school jocks. 

Photo by Farrah Skeiky from Present Tense: DC Punk and DIY, Right Now

In her photo book, Skeiky challenges the misconception that punk in DC is a thing of the past. “I always say that, like, Washington and DC are like two different places and states of mind that occupy the same zip codes.” says Skeiky. She explains that Washington represents the corporate side while DC represents the cultural side “Punk very much exists in DC, and it still does.” She said that it excites her to see more diversity in today's DC punk scene. She included that younger and newer bands have been keeping the punk scene alive. 

 In the midst of the pandemic, the punk scene has looked a little different. “What I’m seeing more, is people just, like, taking a break, stepping back, maybe making new music, working on a new song and writing, and figuring out what else they want to do.” says Skeiky. She goes on to explain that punk is not something you do to make an income. She points out that it’s typical for members of bands to have part time or full time jobs somewhere else. In the true nature of a DIY ethic, some bands have put together safely distanced shows with limited guests and in small outdoor spaces. 

Punk artists dedication to their music and the punk community is obvious. Being adaptable enough to perform at any type of venue and with a lot of self reliance exemplifies how meaningful their work is. The electricity and euphoria of the scene is exuded in every picture. Skeiky explains that her favorite photos she captures are the ones where you can’t tell who is in the band or who is a part of the crowd, “If you’re doing it right, and the exchange of energies are really reciprocal, those are my favorite pictures, it kind of feels like it belongs to everybody.” 

To learn more about Farrah Skeiky, check out her website and follow her socials to experience her incredible work. 

January 4, 2021

A Bit About Us

Our journey in sustainability started about ten years ago, when we, individually, made the wise decision to switch to ethical fashion. Discussions about ethical and sustainable design and production had already started, it was beginning to emerge into the mainstream fashion industry. 

Up until then, like everyone, we used to shop fast. We’ve only heard about sustainable fashion through eco and vegan friends. Our knowledge was very limited. We traveled to Vietnam, to Cambodia, to Cote d'Ivoire and experienced the industry first hand. We were mostly curious and we wanted to learn more about the production of clothing, did we really need so much? We’ve realized that this is bigger than us and that we can best help by talking about it, exposing the issues, and offering alternatives. 

Being part of this shift became essential to our cause. So two years ago, we took a step further and decided to build a little pop-up in Washington DC, to give us an opportunity to introduce our friends and extended community to local and international responsible designers we love. Since then, we were lucky to present our concept in three different locations in the past years before finally establishing our home at 1664 Columbia Road NW, in February 2020 (yes in the midst of the Corona crisis!)

TRIBUTE is not just a store. With us, you’ll discover a mix of retail, fashion, art, culture and literature, all of which constitutes TRIBUTE. 

At its core, our mission is to help our community understand the culture of clothing through various lenses, such as sustainable and ethical production, history, community, design, activism, and more. We want our customers to be conscious of how they shop and consume products. Over-consumption and dispensability is widely promoted by the fashion-industry, this rhetoric takes away from the environmental and humanitarian efforts that go into making the products we buy. TRIBUTE’s goal is to change that narrative by educating our community about the brands we curate. We want to honor the designers, producers, environment, and people who make it possible to buy these products. Tribute aims to tell the story behind the garments and home goods we sell.  

Through our programs, exhibitions, and talks like Un/fold, the Fashion Library, and the Good Chat, we have created an educational space for fellow fashion lovers and nerds to learn about the different facets of the industry. Un/fold is a style anthology of Washington DC, “a research project that brings together art,community,photography, storytelling and fashion in powerful ways to look at the clothed body in the city as a site for production of meaning, narrative, performance and communication”. The Fashion Library is a curated collection of literature based on local and international fashion and culture, coming online in Spring 2021.  The Good Chat is “a monthly one hour conversation hosted by the TRIBUTE team on current affairs like fashion, history, music, art, photography, new textiles, retail, and of course the COVID-19 and its impact.” And now, ConTribute will be another outlet to add to our educational platforms.  

We believe fashion is a reflection of history, culture and community. It connects people all over the world.

Behind the Name of Our Store and Our Blog

The name TRIBUTE was first inspired by Amin Maalouf’s book, In The Name of Identity. In his book, the author talks about tribe and identity, discussing the identity crisis that Arabs have experienced since the establishment of continuous relationships with the West. Yes, the association with fashion sounds far fetched but this is actually not the case. All our work is connected to identities, relationships, and experience. Knowing this, somehow, tribe resonated with us. So we wrote it down on a piece of paper and started playing around, brainstorming. TRIBUTE made the cut. First, because of the idea of paying tribute, and honoring, makers, designers, history, and art. It’s a tribute to creativity and an appreciation of artisanship- recognizing the men and women involved in making your clothing and the treasures that adorn your home. 

We later added “collective” to recognize the contributions of artists, photographers and designers, their work has been instrumental in building our brand and we hope to continue these collaborations. 

When deciding the name of our blog, we wanted it to reflect our mission and compliment the story of our boutique's meaningful name. ConTribute was the perfect fit. By definition, to contribute is to offer something that enriches a person, community, or business. This meaning inhibits what our blog will serve to our readers and supporters. 


What to Look Forward to from ConTribute

Contribute will further uphold Tribute’s mission of community and collectivity, by opening our metaphorical doors into who we are. The blog will be the voice of Tribute and inform our readers of the latest happenings in the shop. 

We will have an overarching monthly theme that our blog will follow. The themes will work in harmony with Tribute’s social media as well. Our intention behind this concept is to take a deep-dive into topics that are important to our educational endeavors.

Look out for our blog posts on the first and third Monday of each month, we can’t wait for you to read them. 

- The TRIBUTE Team -